{"product_id":"tourniquet-anti-septic-bloodbath-with-vocals-cd-2012-pathogenic-last-copy","title":"TOURNIQUET - ANTI-SEPTIC BLOODBATH (with Vocals) (CD, 2012, Pathogenic) *LAST COPY!","description":"\u003ch1 data-start=\"442\" data-end=\"463\"\u003e\u003cstrong data-start=\"444\" data-end=\"463\"\u003eNew CD, Last Copy!\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 data-start=\"442\" data-end=\"463\"\u003e\u003cstrong data-start=\"444\" data-end=\"463\"\u003eCUSTOMER REVIEW\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"465\" data-end=\"672\"\u003e\u003cstrong data-start=\"465\" data-end=\"489\"\u003eAntiseptic Bloodbath\u003c\/strong\u003e never lets up. It’s a tour de force. I’m not going to say “this is the best thrash album ever,” but when I compare it to other albums, I consistently find the others coming up short.\u003c\/p\u003e\n\u003cp data-start=\"674\" data-end=\"1148\"\u003eThe music is \u003cem data-start=\"687\" data-end=\"694\"\u003edense\u003c\/em\u003e—packed with ideas. Every moment, every musician is doing something brilliant. Sonically, it might be the most layered, idea-rich album I’ve ever heard. The riffs almost never repeat the same way twice. You don’t notice it at first, but the deeper you listen, the more you realize how much creativity is bursting out of every second. \u003cstrong data-start=\"1028\" data-end=\"1055\"\u003eNot a moment is wasted.\u003c\/strong\u003e\u003cbr data-start=\"1055\" data-end=\"1058\"\u003e\u003cstrong data-start=\"1058\" data-end=\"1089\"\u003eTed Kirkpatrick is on fire.\u003c\/strong\u003e Ted… how do you do it? Seriously. You keep getting better.\u003c\/p\u003e\n\u003cp data-start=\"1150\" data-end=\"1491\"\u003eThat’s part of the beauty here—the ideas are fresh. This is an album for musicians to contemplate, study, and grow into. \u003cem data-start=\"1271\" data-end=\"1293\"\u003eAntiseptic Bloodbath\u003c\/em\u003e sets the bar impossibly high. I don’t know if even they can top it, but I hope they try. And I hope every other thrash band is paying attention, because this is something new. It’s absolute genius.\u003c\/p\u003e\n\u003cp data-start=\"1493\" data-end=\"1842\"\u003eAnd the guest guitarists? \u003cstrong data-start=\"1519\" data-end=\"1541\"\u003eInspired decision.\u003c\/strong\u003e\u003cbr data-start=\"1541\" data-end=\"1544\"\u003eMarty Friedman delivers two of the best solos I’ve ever heard—overflowing with emotion and technical brilliance. \u003cem data-start=\"1657\" data-end=\"1699\"\u003eThe Maiden Who Slept in the Glass Coffin\u003c\/em\u003e may be conventional in spots (especially the vocal section in the middle), but the instrumental passages are first inspiring… then blistering.\u003c\/p\u003e\n\u003cp data-start=\"1844\" data-end=\"2004\"\u003eThis isn’t a simple or immediately accessible album. It’s the kind of album that keeps giving, rewarding repeated listens. Every time I hear it, I like it more.\u003c\/p\u003e\n\u003cp data-start=\"2006\" data-end=\"2047\"\u003eNow—things some listeners might not like:\u003c\/p\u003e\n\u003cp data-start=\"2049\" data-end=\"2518\"\u003e\u003cstrong data-start=\"2049\" data-end=\"2064\"\u003eThe vocals.\u003c\/strong\u003e\u003cbr data-start=\"2064\" data-end=\"2067\"\u003eThe singer who sounds like Gary Lenaire? I \u003cem data-start=\"2110\" data-end=\"2116\"\u003elove\u003c\/em\u003e this guy. I had to check the lineup to make sure it wasn’t him. The other vocalist doesn’t sound exactly like Guy Ritter, but he uses similar phrasing and stays true to the spirit of classic Tourniquet while maintaining his own identity. Guy Ritter’s vocals were always creepy and foreboding, and this album honors that while offering something new. Any negative press about the vocals is exaggerated.\u003c\/p\u003e\n\u003cp data-start=\"2520\" data-end=\"3051\"\u003e\u003cstrong data-start=\"2520\" data-end=\"2556\"\u003eThe acoustic string instruments.\u003c\/strong\u003e\u003cbr data-start=\"2556\" data-end=\"2559\"\u003eSome people aren’t ready for that, but they’re not just “added”—they’re \u003cem data-start=\"2631\" data-end=\"2643\"\u003enecessary.\u003c\/em\u003e Ted Kirkpatrick is a musical visionary. After decades of writing elite thrash, he introduces cellos, violin, and brass because the music \u003cem data-start=\"2781\" data-end=\"2788\"\u003eneeds\u003c\/em\u003e them. Without those textures, the thematic depth and the exploration of motifs wouldn’t be the same. Ask yourself: \u003cem data-start=\"2904\" data-end=\"2935\"\u003eWhat is Ted trying to convey?\u003c\/em\u003e It’s intentional. It’s purposeful. And it’s bold—Tourniquet took a risk because they know what their songs require.\u003c\/p\u003e\n\u003cp data-start=\"3053\" data-end=\"3531\"\u003e\u003cstrong data-start=\"3053\" data-end=\"3079\"\u003eThe religious content.\u003c\/strong\u003e\u003cbr data-start=\"3079\" data-end=\"3082\"\u003eI’m not a religious person, and yes—some of the lyrical themes might bother certain listeners. And honestly? \u003cstrong data-start=\"3191\" data-end=\"3200\"\u003eGood.\u003c\/strong\u003e\u003cbr data-start=\"3200\" data-end=\"3203\"\u003eSlayer challenges us with horror. Megadeth with politics. Metallica with despair. Tourniquet challenges us with spiritual themes. If you can stomach \u003cem data-start=\"3352\" data-end=\"3369\"\u003eDead Skin Mask,\u003c\/em\u003e you can handle Tourniquet’s perspective. Thrash metal is supposed to confront you. If you’re Christian, this is your reward—\u003cstrong data-start=\"3494\" data-end=\"3531\"\u003eall the riffs, none of the guilt.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch1 data-start=\"270\" data-end=\"289\"\u003e\u003cstrong data-start=\"272\" data-end=\"289\"\u003eTrack Listing\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"291\" data-end=\"420\"\u003e\u003cstrong data-start=\"291\" data-end=\"336\"\u003e1. Chart of the Elements (Lincchostbllis)\u003c\/strong\u003e – 6:38\u003cbr data-start=\"343\" data-end=\"346\"\u003e\u003cem data-start=\"346\" data-end=\"385\"\u003eFeaturing lead guitar: Bruce Franklin\u003c\/em\u003e\u003cbr data-start=\"385\" data-end=\"388\"\u003eWords \u0026amp; Music: Ted Kirkpatrick\u003c\/p\u003e\n\u003cp data-start=\"422\" data-end=\"530\"\u003e\u003cstrong data-start=\"422\" data-end=\"449\"\u003e2. Antiseptic Bloodbath\u003c\/strong\u003e – 6:11\u003cbr data-start=\"456\" data-end=\"459\"\u003e\u003cem data-start=\"459\" data-end=\"495\"\u003eFeaturing lead guitar: Pat Travers\u003c\/em\u003e\u003cbr data-start=\"495\" data-end=\"498\"\u003eWords \u0026amp; Music: Ted Kirkpatrick\u003c\/p\u003e\n\u003cp data-start=\"532\" data-end=\"663\"\u003e\u003cstrong data-start=\"532\" data-end=\"579\"\u003e3. The Maiden Who Slept in the Glass Coffin\u003c\/strong\u003e – 7:28\u003cbr data-start=\"586\" data-end=\"589\"\u003e\u003cem data-start=\"589\" data-end=\"628\"\u003eFeaturing lead guitar: Marty Friedman\u003c\/em\u003e\u003cbr data-start=\"628\" data-end=\"631\"\u003eWords \u0026amp; Music: Ted Kirkpatrick\u003c\/p\u003e\n\u003cp data-start=\"665\" data-end=\"778\"\u003e\u003cstrong data-start=\"665\" data-end=\"696\"\u003e4. Chamunda Temple Stampede\u003c\/strong\u003e – 5:19\u003cbr data-start=\"703\" data-end=\"706\"\u003e\u003cem data-start=\"706\" data-end=\"743\"\u003eFeaturing lead guitar: Karl Sanders\u003c\/em\u003e\u003cbr data-start=\"743\" data-end=\"746\"\u003eWords \u0026amp; Music: Ted Kirkpatrick\u003c\/p\u003e\n\u003cp data-start=\"780\" data-end=\"846\"\u003e\u003cstrong data-start=\"780\" data-end=\"804\"\u003e5. Flowering Cadaver\u003c\/strong\u003e – 5:19\u003cbr data-start=\"811\" data-end=\"814\"\u003eWords \u0026amp; Music: Ted Kirkpatrick\u003c\/p\u003e\n\u003cp data-start=\"848\" data-end=\"950\"\u003e\u003cstrong data-start=\"848\" data-end=\"865\"\u003e6. 86 Bullets\u003c\/strong\u003e – 5:12\u003cbr data-start=\"872\" data-end=\"875\"\u003e\u003cem data-start=\"875\" data-end=\"915\"\u003eFeaturing lead guitar: Santiago Dobles\u003c\/em\u003e\u003cbr data-start=\"915\" data-end=\"918\"\u003eWords \u0026amp; Music: Ted Kirkpatrick\u003c\/p\u003e\n\u003cp data-start=\"952\" data-end=\"1031\"\u003e\u003cstrong data-start=\"952\" data-end=\"979\"\u003e7. Duplicitous Endeavor\u003c\/strong\u003e – 5:02\u003cbr data-start=\"986\" data-end=\"989\"\u003eMusic: Aaron Guerra\u003cbr data-start=\"1008\" data-end=\"1011\"\u003eWords: Luke Easter\u003c\/p\u003e\n\u003cp data-start=\"1033\" data-end=\"1154\"\u003e\u003cstrong data-start=\"1033\" data-end=\"1069\"\u003e8. Lost Language of the Andamans\u003c\/strong\u003e – 6:57\u003cbr data-start=\"1076\" data-end=\"1079\"\u003e\u003cem data-start=\"1079\" data-end=\"1119\"\u003eFeaturing lead guitar: Santiago Dobles\u003c\/em\u003e\u003cbr data-start=\"1119\" data-end=\"1122\"\u003eWords \u0026amp; Music: Ted Kirkpatrick\u003c\/p\u003e\n\u003cp data-start=\"1156\" data-end=\"1254\"\u003e\u003cstrong data-start=\"1156\" data-end=\"1194\"\u003e9. Carried Away on Uncertain Wings\u003c\/strong\u003e – 4:52\u003cbr data-start=\"1201\" data-end=\"1204\"\u003eWords: Luke Easter\u003cbr data-start=\"1222\" data-end=\"1225\"\u003eWords \u0026amp; Music: Aaron Guerra\u003c\/p\u003e\n\u003cp data-start=\"1256\" data-end=\"1338\"\u003e\u003cstrong data-start=\"1256\" data-end=\"1296\"\u003e10. Fed by Ravens, Eaten by Vultures\u003c\/strong\u003e – 8:08\u003cbr data-start=\"1303\" data-end=\"1306\"\u003eWords \u0026amp; Music: Ted Kirkpatrick\u003c\/p\u003e\n\u0026lt; data-start=\"1340\" data-end=\"1343\"\u0026gt;\n\u003ch1 data-start=\"1345\" data-end=\"1358\"\u003e\u003cstrong data-start=\"1347\" data-end=\"1358\"\u003eCredits\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"1360\" data-end=\"1378\"\u003e\u003cstrong data-start=\"1360\" data-end=\"1376\"\u003eBand Members\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1379\" data-end=\"1481\"\u003e\n\u003cli data-start=\"1379\" data-end=\"1423\"\u003e\n\u003cp data-start=\"1381\" data-end=\"1423\"\u003eTed Kirkpatrick – drums, additional bass\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1424\" data-end=\"1456\"\u003e\n\u003cp data-start=\"1426\" data-end=\"1456\"\u003eAaron Guerra – guitars, bass\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1457\" data-end=\"1481\"\u003e\n\u003cp data-start=\"1459\" data-end=\"1481\"\u003eLuke Easter – vocals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1483\" data-end=\"1504\"\u003e\u003cstrong data-start=\"1483\" data-end=\"1502\"\u003eGuest Musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1505\" data-end=\"2026\"\u003e\n\u003cli data-start=\"1505\" data-end=\"1582\"\u003e\n\u003cp data-start=\"1507\" data-end=\"1582\"\u003eAdrien Zitoun – cello (“The Maiden…”, “Lost Language…”, “Fed by Ravens…”)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1583\" data-end=\"1668\"\u003e\n\u003cp data-start=\"1585\" data-end=\"1668\"\u003eDennis Najoom – trumpet (“Antiseptic Bloodbath,” “The Maiden…,” “Lost Language…”)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1669\" data-end=\"1746\"\u003e\n\u003cp data-start=\"1671\" data-end=\"1746\"\u003eDave Bullock – violin (“The Maiden…”, “Lost Language…”, “Fed by Ravens…”)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1747\" data-end=\"1809\"\u003e\n\u003cp data-start=\"1749\" data-end=\"1809\"\u003eNeil Kernon – orchestral textures (“Duplicitous Endeavor”)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1810\" data-end=\"1897\"\u003e\n\u003cp data-start=\"1812\" data-end=\"1897\"\u003eHannah Kilburn, Grace Kilburn \u0026amp; Simi – cheerleader vocals (“Chart of the Elements”)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1898\" data-end=\"1952\"\u003e\n\u003cp data-start=\"1900\" data-end=\"1952\"\u003ePastor Bob Beeman – spoken word (“Fed by Ravens…”)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1953\" data-end=\"2026\"\u003e\n\u003cp data-start=\"1955\" data-end=\"2026\"\u003eRick Muehlbach, Tyler Margritz – spoken word (“Duplicitous Endeavor”)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2028\" data-end=\"2044\"\u003e\u003cstrong data-start=\"2028\" data-end=\"2042\"\u003eProduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2045\" data-end=\"2432\"\u003e\n\u003cli data-start=\"2045\" data-end=\"2102\"\u003e\n\u003cp data-start=\"2047\" data-end=\"2102\"\u003eProduced, recorded \u0026amp; mixed by Neil Kernon (Auslander)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2103\" data-end=\"2171\"\u003e\n\u003cp data-start=\"2105\" data-end=\"2171\"\u003eDrums recorded June 6–9, 2011 at Rax Trax Recording, Chicago, IL\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2172\" data-end=\"2229\"\u003e\n\u003cp data-start=\"2174\" data-end=\"2229\"\u003eBass recorded April 21–22, 2012 at Rax Trax Recording\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2230\" data-end=\"2322\"\u003e\n\u003cp data-start=\"2232\" data-end=\"2322\"\u003eRhythm guitars \u0026amp; vocals recorded Aug 30–Sept 13, 2011 at Paradisea Studio, Milwaukee, WI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2323\" data-end=\"2362\"\u003e\n\u003cp data-start=\"2325\" data-end=\"2362\"\u003eMixed June 2012 at OTB, Chicago, IL\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2363\" data-end=\"2432\"\u003e\n\u003cp data-start=\"2365\" data-end=\"2432\"\u003eMastered by Alan Douches at West West Side Music, New Windsor, NY\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3053\" data-end=\"3531\"\u003e\u003cstrong data-start=\"3494\" data-end=\"3531\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Boone's Overstock","offers":[{"title":"Default Title","offer_id":51705080185078,"sku":"cfe1789816147381","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0808\/4907\/6470\/files\/tourniquet---anti-septic-bloodbath-with-vocals-cd-2012-pathogenic-last-copy_1.jpg?v=1789816175","url":"https:\/\/intentionalcladfit.shop\/products\/tourniquet-anti-septic-bloodbath-with-vocals-cd-2012-pathogenic-last-copy","provider":"My Store","version":"1.0","type":"link"}